Forum für akustische Kunst

Denken, Schreiben, Treffen

Produktion und Rezeption von Musik in einer globalisierten Welt

Unter diesem Titel findet am 06./07. November eine Tagung an der Universität von Rotterdam statt. Wer zu der Zeit in der Nähe ist, darf Themen einreichen.

Aus der Ausschreibung:

Once upon a time, a famous rock ‘n’ roll group sang about what it means to play in a music band. In their lyrics they touch upon the role of the music industry (‘getting sold’), the difficulties of a musical career (‘under-paid’ and ‘getting grey’) and music consumption (‘if you wanna be a star’), while celebrating music for music’s sake. As such, this song addresses many issues in the production and reception of popular music in the contemporary globalized world. Yet, recent developments in the field of music have changed the ‘way to the top’, such as governmental policy on music, the rise of new media, and the growing number of music festivals. Focusing on a select number of interrelated themes, this conference aims to bring together scholars from various countries each with their own perspective to engage in an international exchange of ideas and current research insights about music production and reception.
Regarding the production of music, we aim for papers on – but not strictly limited to – these themes:
 Music industries and scenes: for example, what challenges are music industries facing in the 21st century? How have their business models changed over the last decade? To what extent is music increasingly produced within translocal and virtual scenes outside of traditional music industries?
 Careers in pop music: for example, to what extent have artist labor markets changed over the last decades? Have music careers become longer and more flexible? What factors determine success?
 Pop music policy: for example, to what extent and why do government organizations (national and local) fund what types of music? How are pop musicians promoted abroad and for what reasons? What role does music play in urban development and city branding?
 New media and pop music: for example, how have streaming services changed music industries? Did social media affect the marketing of pop music? How do (online) consumer critics affect sales?
Regarding the reception of music, we aim for papers on – but not strictly limited to – these themes:
 Pop music consumption and identity construction: for example, how important is pop music in processes of bounding and bridging social groups and group identities? How do music fans use the Internet in processes of meaning-making and sacralization?
 Music performance, festivals and rituals: for example, how can music performances achieve intended transformative effects? How are they clustered in a particular period of time at a particular place? How can we explain the growing popularity of music festivals among international audiences?
 Pop music, political activism and social movements: for example, what role does pop music play in social change? How politically engaged are pop musicians and what topics do they address?
 Popular music heritage and tourism: for example, how and which pop music is being canonized? How does this relate to generational conflict, feelings of nostalgia and authenticity?
Please send your abstract of 400 words in English (including a research question, theory and
methodology) together with a short biography (100 words), including name, institutional affiliation and
position, phone number, postal and e-mail addresses, to: iaspmconference@eshcc.eur.nl
Abstract deadline: 1 June, 2014. Participants will receive notifications of acceptance by 1 August, 2014.
If you have any questions, don’t hesitate to contact us:
E-mail: iaspmconference@eshcc.eur.nl
WWW: www.eshcc.eur.nl/iaspmconference

Hinterlasse eine Antwort